Box 22
Contains 37 Results:
AM "The Story of Simon Pierreford", [1890-1893?]
Manuscript poem published as "The Story of Simon Pierreauford" in "The Questions at the Well."
AM & TM "Stripping Underwood", [pre-1904]
Two versions of a poem: an incomplete typescript (1 leaf) and a corrected manuscript entitled "Felling Underwood:. Harvey Cvii(2)f
TM "Thinking Aloud", [193-?]
Draft of an article "On War", possibly unpublished which was apparently to be part of a larger series of articles titled "Thinking Aloud". With minor corrections.
TM "Thomas Hardy, O.M.", [Jan. 1928?]
Draft of an article that was later published with slight revision under this title in the "New York Herald Tribune Books) Jan. 22, 1928. Typed on Two different typewriters. Article shares material in common with "A Sunday Morning Tragedy," with eventually became Chapter 6 in "Portraits from Life".
AMS & TM "Thus to Revisit", 1920
Incomplete manuscript and typescript of Ford's book. Date stamped on first page "June 7, 1920" and with corrections and emendations throughout. Parts of this book appeared in the "English Review" and the "Dial", beginning in July, 1920 and the book itself appeared in 1921. Harvey Cii(10)
AM "Thus to Revisit" Note and Possible Appendix, Aug. 1920
Copy of H.G. Wells" "Letter to the Editor" in the Aug. 1920 issue of the "English Review" entitled "A Footnote to Hueffer", and a note by Ford concerning the possibility of making that article an appendix to "Thus to Revisit".
TM "Sooner Than be Idle", [n.d.]
Copy of an article, possibly unfinished. On the subject of the British reading public.
AM "The Soul of London", [n.d.]
Fragment (pages 4 & 5) of what might be a very early version of "The Soul of London" or one of the two other books in the trilogy.
TM "See, They Return!", [June 1935?]
Draft of an article published in "Esquire", June 1935, which was later revised and incorporated into Chapter 3 of Ford's book "The Great Trade Routs." With corrections throughout.
TMS "Seraphina" [Romance}, [1898-1901]
Typescript of an early draft of the novel "Romance", with later became a collaboration between Ford and Joseph Conrad. With corrections in Ford's hand and lots of additions towards the end. This draft is really remote from "Romance", so that one can study the effect of Conrad upon Ford by checking parts of this typescript against it. Harvey A11(a)