Box 1
Contains 31 Results:
Dancer Guild International Registration (DGI) Applications, 1998
Included Model’s Release form and Mitchell Brothers O’Farrell Theatre employment application forms, Non-Exclusive Contract for Live Dance Performance, Dancer’s Guild / O’Farrell Theater registration packets, and a 1040 Form. Folder is restricted.
Exhibit 3: List of Films Surveilled at the Mitchell Brothers’ Santa Ana Theater, 1985
During the 9 ½ Year Period from November 1975 through May 1985. Np: np, Xerox. Corner stapled. 35 pp. 8 ½ x 11 in.
Legal documents, 1979 - 2003
Note and correspondence, 1986, March 11; undated
Mail addressed to Art and Jim Mitchell from Yank Levine, postmarked Oakland: March 11, 1986. Handwritten letter by Yankel (Yank) Levine; newspaper clipping of an article “Porno Films Irk Hayward Council”. Handwritten note on Ralph Mack Advertising letterhead denoting “Money Outstanding” and “Trade Outstanding.”
Production, undated
Production crew list for Sodom and Gomorrah: The Last Seven Days. [San Francisco]: [Mitchell Brothers Film Group], [1975]. Typewritten transcript of voice-over narration with visual cues, organized by film roll, and used for an unknown production.
Programs, handwritten notes, correspondence, forms, and booklets, 1975 - 1994
Program of the 1985 San Francisco Milline Xmas Show, Booklet: “42 nd Avenue.” San Francisco Milline Club, 1985. DGI questionnaire on performers’ interest, filled out by Miss Chanel Rose, 1994. Handwritten letter from JA Kinncaide to Mitchells in envelope with hand-drawn illustration, 1986. Rolls six through eight of a typewritten transcript of voice-over narration with visual cues. Handwritten edit notes from 1975. Poetry book titled "Compass in an armored car", by Bana Witt (1988).
Treatments of screenplays by John Grissim, 1986
Treatments for the original screenplays: The Bride of Bigfoot, based on a story concept by Jim and Art Mitchell, and The Haunting of Black Angel.
Annie Sprinkle, 1981
Women In Command Volume 2 Number 3. Wilmington: Eros Publishing Co., 1981. Magazine prominently features Annie Sprinkle; a maquette for Annie Sprinkle flyer; a color contact sheet of a show, and a letter from Annie Sprinkle to Vince.